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01
Pup (SOLD)
12 × 16"
2025
Acrylic on canvas
Pup captures an intimate moment between Mitch’s childhood dog, Sir Francis Von-Wiggle-Butt, and the familiar garden he loved. Painted shortly after Francis’s passing, the work preserves a memory of him while he was still part of the everyday landscape of home.
Hidden within the upper portion of the painting, Cheddar—the cat Francis often chased—wanders into the frame. Their peaceful proximity was unusual, making the moment feel almost accidental. The painting is as much about what remains after loss as it is about the dog himself. What brothers will we miss when they no longer brother us?
Collection: Sunday @ 6
South-Iimpressionist

02
Daily
11 × 14"
2025
Acrylic on canvas
Daily was painted for the people who bike in and out of Portland every day—the commuters, those who pelt in the rain and the shine, preferring two wheels over four. In the landscape of city of bridges, known for their love of bikes, the model ,the artist’s brother, trucks up hill on N Greenly leaving the Fremont Bridge in the distance. With each, step, decision, and daily habit we make; we walk the mile of who we are.
Collection: Sunday @ 6
South-Iimpressionist
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03
Bell Road (SOLD)
16 × 20"
2023
Acrylic on canvas
Bell Road depicts a familiar stretch of road outside Newberg, Oregon—one that holds both some of Mitch’s sweetest memories and some of her more bitter ones. The rolling fields and hills became a reflection of that contradiction: beautiful and difficult, sometimes within the same view.
The road continues toward the horizon beneath a setting sun, a reminder that neither the sweetness nor the bitterness stays forever. Like the sunset, everything passes.
Collection: Sunday @ 6
South-Iimpressionist

04
Sitting in Spring
16 × 20"
2023
Acrylic on canvas
Painted from a live model, Sitting in Spring tries to savor the fleeting warmth of early spring sunlight, like the kind that can turn into April showers in a blink of an eye. Mitch uses a palette of soft purples, yellows, pinks, blues, and greens, reminiscent of Easter colors, to capture that strange in-between feeling of spring. The woman sits quietly in the sunlight coming through the window, but the colors don't stay outside. The light seems to breathe in through the window and exhale onto her clothes, surrounding her in the feeling of the season. Sometimes our feelings are brighter than our sight.
Collection: Sunday @ 6
South-Iimpressionist

05
Boyfriends
20 × 24"
2025
Acrylic on canvas
The artist’s two roommates melt into one another as they often do. Chuck and Ollie are frequently mistaken for brothers, but their relationship seems to model something more than simply coexisting. They share the couch, the warmth, the space, and apparently very little concern for personal boundaries. In this moment, the two become almost indistinguishable from one another, curled together in a way that makes it difficult to tell where one cat ends and the other begins. Perhaps living together long enough teaches us that home isn't just a place we share, but a little bit of ourselves we leave in one another.
Collection: Domestic 337
South-Impressionist
01 / 05
Pup (SOLD)
12 × 16"
2025
Acrylic on canvas
Pup captures an intimate moment between Mitch’s childhood dog, Sir Francis Von-Wiggle-Butt, and the familiar garden he loved. Painted shortly after Francis’s passing, the work preserves a memory of him while he was still part of the everyday landscape of home.
Hidden within the upper portion of the painting, Cheddar—the cat Francis often chased—wanders into the frame. Their peaceful proximity was unusual, making the moment feel almost accidental. The painting is as much about what remains after loss as it is about the dog himself. What brothers will we miss when they no longer brother us?
Collection: Sunday @ 6
South-Iimpressionist
.jpeg)
01
Pup (SOLD)
12 × 16"
2025
Acrylic on canvas
Pup captures an intimate moment between Mitch’s childhood dog, Sir Francis Von-Wiggle-Butt, and the familiar garden he loved. Painted shortly after Francis’s passing, the work preserves a memory of him while he was still part of the everyday landscape of home.
Hidden within the upper portion of the painting, Cheddar—the cat Francis often chased—wanders into the frame. Their peaceful proximity was unusual, making the moment feel almost accidental. The painting is as much about what remains after loss as it is about the dog himself. What brothers will we miss when they no longer brother us?
Collection: Sunday @ 6
South-Iimpressionist

02
Daily
11 × 14"
2025
Acrylic on canvas
Daily was painted for the people who bike in and out of Portland every day—the commuters, those who pelt in the rain and the shine, preferring two wheels over four. In the landscape of city of bridges, known for their love of bikes, the model ,the artist’s brother, trucks up hill on N Greenly leaving the Fremont Bridge in the distance. With each, step, decision, and daily habit we make; we walk the mile of who we are.
Collection: Sunday @ 6
South-Iimpressionist
.jpeg)
03
Bell Road (SOLD)
16 × 20"
2023
Acrylic on canvas
Bell Road depicts a familiar stretch of road outside Newberg, Oregon—one that holds both some of Mitch’s sweetest memories and some of her more bitter ones. The rolling fields and hills became a reflection of that contradiction: beautiful and difficult, sometimes within the same view.
The road continues toward the horizon beneath a setting sun, a reminder that neither the sweetness nor the bitterness stays forever. Like the sunset, everything passes.
Collection: Sunday @ 6
South-Iimpressionist

04
Sitting in Spring
16 × 20"
2023
Acrylic on canvas
Painted from a live model, Sitting in Spring tries to savor the fleeting warmth of early spring sunlight, like the kind that can turn into April showers in a blink of an eye. Mitch uses a palette of soft purples, yellows, pinks, blues, and greens, reminiscent of Easter colors, to capture that strange in-between feeling of spring. The woman sits quietly in the sunlight coming through the window, but the colors don't stay outside. The light seems to breathe in through the window and exhale onto her clothes, surrounding her in the feeling of the season. Sometimes our feelings are brighter than our sight.
Collection: Sunday @ 6
South-Iimpressionist

05
Boyfriends
20 × 24"
2025
Acrylic on canvas
The artist’s two roommates melt into one another as they often do. Chuck and Ollie are frequently mistaken for brothers, but their relationship seems to model something more than simply coexisting. They share the couch, the warmth, the space, and apparently very little concern for personal boundaries. In this moment, the two become almost indistinguishable from one another, curled together in a way that makes it difficult to tell where one cat ends and the other begins. Perhaps living together long enough teaches us that home isn't just a place we share, but a little bit of ourselves we leave in one another.
Collection: Domestic 337
South-Impressionist
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